Wednesday, September 1, 2021

Conway Twitty: Birthday Remembrance and RIAA...

Conway Twitty remains a popular country music artist all these years after his untimely death in 1993. Born September 1, 1933 as Harold Lloyd Jenkins he decided to use the stage name, Conway Twitty, during his rock and roll years in the mid '50s just prior to his breakthrough single in 1958, "It's Only Make Believe", becoming a massive hit across the United States and overseas. Conway's many fans routinely post about him on social media and share images and recollections of their concert going or their experiences visiting Twitty City in Hendersonville, Tennessee during the 12 years it was in business (1982-1994). The tourist complex had remained opened to the public following Conway's death in 1993 and it remained open, as a public memorial for fans/friends of Conway to visit, until a legal battle forced it's closure the following year...much of the goings-on that took place back then can be looked up online using search words like 'Conway Twitty Estate Sale' or 'Conway Twitty Estate 1994'. There has never been and there never will be another recording artist like Conway Twitty...and while there are so many more fans of Conway out there that can properly document his entire career with much more specificity I've chosen to keep this blog open for anyone to stop by and read my contributions, in text form, about Conway's career. The last blog entry I wrote was back in 2015...here we are on September 1, 2021...on what would have been Conway's 88th birthday. One of the things that happened, seemingly out of the blue, were some recent sales certifications by the RIAA pertaining to a trio of Conway recordings. 

The RIAA certified the single releases "I'd Just Love to Lay You Down", "Tight Fittin' Jeans", and "That's My Job" as having gone Gold. Sales for those three singles, after an initial audit, shown that each had sold at least the required 500,000 copies. These certifications are based on a combination of vinyl, and later, online sales. "I'd Just Love to Lay You Down" was originally released in 1980; "Tight Fittin' Jeans" was originally released in 1981; and "That's My Job" was originally released in 1987. All three of those single releases hit long before the creation of digital downloads and the internet as we know it. I'd suspect the majority of those songs had the bulk of their sales on vinyl and as a lot of people online have also said the record company simply didn't submit any audit paperwork for the RIAA. I believe this same thing holds true for dozens upon dozens of other legendary recording artists down through the decades who don't have a large collection of Gold or Platinum records hanging on their wall. Record companies never contacting the RIAA to audit the sales of singles or albums leads to nobody knowing if a song or album has reached Gold status or higher. 

Anyway, the later creation of online music stores and digital downloads increased the purchase availability of songs from earlier decades...and that's how three single releases that were released more than 30 years ago are suddenly certified Gold. It's my belief that these particular songs were Gold status for decades but went overlooked. Think of how huge a hit "Slow Hand" happened to be for Conway...two weeks it spent at number one in 1982. How many feel that particular Conway recording has sold more than 500,000 copies within the last 39 years? It probably has...but it hasn't been certified yet. According to information posted on Conway social media there is to be another audit of Conway's record sales in 2022...and it's very likely several of his single releases and possibly album releases from the 1980s, in particular, will get their long overdue certifications. 

"I'd Just Love to Lay You Down" is from the 1980 album, Heart and Soul

"Tight Fittin' Jeans" is from the 1981 album, Mr. T

"That's My Job" is from the 1987 album, Borderline (see photo above). 

Monday, August 31, 2015

Conway Twitty: The Complete Elektra and Warner Brothers Chart Singles

The traditional day for releasing new CD's is usually on a Tuesday. I found out this morning from an on-line friend that this past Friday (August 30th) a new CD hit the market featuring all of the single releases from Conway Twitty during his massively popular run on the Elektra, and eventual, Warner Brothers label (1982-1986). The release is titled The Complete Elektra and Warner Brothers Chart Singles and it contains all of the single releases from Conway during his 4 year run at Warner Brothers (formerly Elektra/Asylum)...16 single releases altogether. I plan on purchasing the CD eventually. I already have all of the songs scattered around on other projects but this will be the only project to have every hit single from him during that 4 year time period, in chronological order, on the same release. I also want the CD for any liner notes that might be available, too.

Here's a preview of his early to mid 1980's period...

For those unaware, Elektra merged it's organization into the Warner Brothers company in late 1982 between the release of "The Rose" and "Lost in the Feeling". This means that Conway recorded for the Elektra imprint for just one calendar year (1982) before the merger. In that time he actually recorded more than 100 songs according to an authorized biography (published in 1986).

It's natural to assume that a lot of the recordings are unreleased (in the vaults) but 40 of the recordings found their way onto 4 individually released albums that year: Southern Comfort, Conway's #1 Classics Volume One, Dream Maker, and Conway's #1 Classics Volume Two. The Classics LP's are re-recordings of previous hit singles he recorded for his previous label, MCA.

As a side-note: If you ever come across any compilation CD released on Conway and it's from an independent company or an affiliate of Warner Brothers then chances are you're going to have the 1982 re-recordings of his classic hits instead of the original recordings from the 1970s. In the 1990s a company called Hollywood released a couple of low-budget CD's on him but they used the 1982 re-recordings of his classic hits. The 1982 re-recordings obviously become highly lucrative given their easy access in the licensing department...but most people prefer original recordings no matter if a re-recording may be technically or more vocally superior than the original.

In addition to all the recordings that year 1982 is also the year that he starred in his only television special, Conway On the Mississippi. The 2-hour program tracing his origins in the southern Mississippi Delta area set on board the famed Mississippi Queen riverboat. The special originally aired on NBC.

Music played a large part in the special, of course, as did footage of him stopping by the area he lived, narrations of his childhood memories...and footage of him and others in a charity baseball game make an appearance in the special as do appearances by Ralph Emery, Loretta Lynn, Tammy Wynette, George Lindsey, Dick Clark, and Jerry Lee Lewis. A heavily edited 90 minute version appeared on The Nashville Network periodically throughout the 1980s. The edited version also seen a DVD release about a decade ago. The original 2-hour special took home a fan-voted award during the 1983 installment of the Music City News Country Awards as "Television Special of the Year". His tourist attraction, Twitty City, had it's grand opening in 1982, also. 

In 1983, after the merger, his next album titled Lost in the Feeling hit the stores and later his only Christmas album emerged: Merry Twismas from Conway and His Little Friends. 1984's By Heart soon followed as did Conway's Latest Greatest Hits, Volume One in late 1984. The compilation LP featured his previous 9 singles (1982-1984) and a brand new song, "Ain't She Somethin' Else", which became his 49th overall #1 hit early in 1985.

Not missing a beat "Don't Call Him a Cowboy", an unlikely single-release from Conway given it's humorous overtone became the 50th single of his to reach #1 in the music trade publications. The Don't Call Him a Cowboy album cover features his son, Michael, as one of the customers at the bar. One of his most obscure hit singles came along next in the form of "Between Her Blue Eyes and Jeans".

On record pressings and in promo ads it's officially titled "Between Blue Eyes and Jeans" and yet in the recording he includes the word "her" while singing the title and so I've long since called it "Between Her Blue Eyes and Jeans" even if it isn't, officially, the song's actual title. The song didn't reach #1 but it peaked in the Top-5 on the country chart in the fall of 1985 and it had a lengthy chart run, too, but it's rarely remembered. Then came the release of Chasin' Rainbows. A fluke in the career of Conway Twitty...the 2 single releases from it didn't reach the Top-10 or reach #1. The highest charting single from the album is the lead-off track "The Legend and The Man". Even though it's a powerful vocal performance it lacked the commercial vitality of his previous releases...and it being a somber ballad about a situation that a public at large isn't too familiar with (celebrity intoxication and indulgence) it just didn't grab their attentions enough to sustain a longer chart run (peaking in the Top-20...most charts had it stalled at #19 and or #18 depending on the publication).

The other single release arrived in early 1986, "You'll Never Know How Much I Needed You Today". This song, in reality, returned him to the more familiar love song subject matter but it's airplay (or lack thereof) happened to be worse than his previous single release. Perhaps the title of the song is too long? Maybe the song itself ran too long? Perhaps the production or the song itself didn't blend well among other recordings played on the radio at the time? A lot of factors are at play...but the finish in the lower half of the Top-30 on the country charts meant some major changes, musically, happened to be in store for his next release. The results shown up on the 1986 release, Fallin' For You For Years.

Incredibly the sound seemed much more louder, the instrumentation is a lot more varied, and his vocal performances seemed to be even more impressive than before. The album as a whole, if played back to back with Chasin' Rainbows, sounds as if the 1986 album had been recorded in a different time period...that's how dramatic the differences are between late 1985's Chasin' Rainbows and 1986's Fallin' For You For Years. The changes worked because the first single release, the bouncy sing-a-long "Desperado Love", became his 51st #1 single (his 40th and final #1 on Billboard). The pulsating love ballad title track, "Fallin' For You For Years", shot to #1 on Radio and Records (#2 on Billboard) early in 1987. This happened to be the final release from Conway on the Warner Brothers label and, of course, it closes out the CD.

He returned to MCA the same year and continued his hit streak on into the early 1990s before his untimely and sudden death on June 5, 1993. Tomorrow is his birthday...born on September 1, 1933. This is the CD that became available on August 28th (this past Friday). You can purchase the CD directly from the Varese Sarabande site...call them at 512-371-6924 or visit their SITE. Apparently they don't update their site in a timely manner because it still lists the CD as a pre-order 3 days after it's release and so I suggest you call the number I provided. I've purchased CD's released by Varese Sarabande before and the sound/audio's been great.


Sunday, April 29, 2012

Conway Twitty Silhouette at Guitar Walk

I came across this interesting article a few minutes ago. The story broke a couple of days ago, April 25th, but it's all about a project that will honor the early days of Rock-a-Billy music with life-size silhouettes of various artists that at one point or another incorporated the rock-a-billy style in their performances. Conway Twitty will be among the artist silhouettes on display at what's being called a Guitar Walk in Walnut Ridge, Arkansas in Lawrence County. The site of the Guitar Walk will officially be called Cavenaugh Park, named after the top donators.

You can read all about it in the following links:

The Times Dispatch

Guitar Walk

In Conway's career he took 55 singles to #1. In 1958 he hit #1 on the pop chart in America and #1 on several charts overseas with "It's Only Make Believe", the song you hear in the video clip above. He would have several more big rock 'n' roll hits between the years of 1959 and 1961 (with "Lonely Blue Boy" becoming his second Gold record and a Top-10 on the Hot 100) but ultimately Conway switched to country music in 1965 and eventually reached the Top-10 on the country charts for the first time in 1968 with "The Image of Me", followed by his first country #1, "Next In Line". This set the stage for Conway's incredible streak of #1 and Top-10 singles that went uninterrupted for ten years, 1968-1978.

It's important to note that music popularity, subjective as it is, was kept track of by several weekly music publications. Billboard Magazine's chart statistics are the ones most quoted and it's the publication that's been around the longest (more than 100 years!) but other publications became major competitions of Billboard through the years...the two that were the most successful early-on were Record World and Cashbox. In the '70s, '80s, '90s, and most of the 2000's the main rival of Billboard was Radio and Records. There was also the Gavin charts and those furnished by other lesser-known entities. If a single reached the #1 position on any of these publications then it was promoted, marketed, and hyped as a "#1 hit".

Since Billboard's data is the most quoted, only the singles that reached #1 in their publication are what music historians refer to when they total up Conway's chart-toppers. In Billboard, 41 of those 55 singles reached #1...leaving 14 additional singles achieving their #1 accomplishment by way of Billboard's rival publications. I've listed his #1 hits already as well as his Top-10 hits. I've also listed the singles that reached the Top-40...and the very few that charted below #40.